Book DetailAuthor: Simon Shaw-Miller Publisher: Bloomsbury Publishing ISBN: 1350203432 Category : Art Languages : en Pages : 336
Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate paradigm for non-figurative art was music. The assumption has always been that this model was most effectively understood as Western art music (classical music). However, the musical form that was abstract art's true twin is jazz, a music that originated with African Americans, but which had a profound impact on European artistic sensibilities. Both art forms share creative techniques of rhythm, groove, gesture and improvisation. This book sets out to theorize affinities and connections between, and across, two seemingly diverse cultural phenomena.
Book DetailAuthor: Nina Penner Publisher: ISBN: 0253049989 Category : Music Languages : en Pages : 312
"Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, she offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st century audiences"--
Book DetailAuthor: Ginette Vincendeau Publisher: Bloomsbury Publishing ISBN: 1441130268 Category : Social Science Languages : en Pages : 288
French cinema is second only to Hollywood in the number of its movie stars who have emerged to achieve international fame. France is, in fact, arguably the only country other than the United States to have an international "star system." Yet these glamorous and charismatic stars differ from their U.S. counterparts in that they maintain more freedom to control their own images and often straddle both mainstream and auteur cinema.Ginette Vincendeau, a leading authority on French cinema, analyzes the phenomenon of French film stardom and provides brilliant in-depth studies of the major popular stars of the French cinema: Max Linder, Jean Gabin, Brigitte Bardot, Jeanne Moreau, Louis de FunFs, Jean-Paul Belmondo, Alain Delon, Catherine Deneuve, GTrard Depardieu, and Juliette Binoche. This volume analyzes these stars' images and performance styles in the context of the French film industry, but also in relation to national culture and society. In the country where Brigitte Bardot and Catherine Deneuve have modeled for Marianne (the effigy of the Republic) and left-wing politicians have held up Jean Gabin as a role model, Vincendeau examines the unusual relationship between French film stars and national identity.Ginette Vincendeau is professor of film studies at the University of Warwick. She is the author and editor of a number of books on cinema.
Book DetailAuthor: Eoin Colfer Publisher: Gallimard Jeunesse ISBN: 2075032394 Category : Juvenile Fiction Languages : fr Pages : 394
WARP: nom de code d'un programme de protection ultra secret du FBI. Londres, 1898... Riley, un orphelin de 14 ans, vient de commettre son premier crime, poussé par son mentor, Albert Garrick, un ancien illusionniste devenu tueur à gages. L’apprenti assassin et sa victime se dissolvent soudainement et se retrouvent catapultés au XXIe siècle. Ils reprennent forme humaine dans une capsule métallique, située au sous-sol d’une maison de Bedford Square, Q.G du programme WARP. Chevie Savano, une jeune agente du FBI, a justement pour mission de surveiller cette capsule. Mais elle n’était pas précisément préparée à recevoir un jeune garçon au look anachronique accompagné d’un cadavre... qui n'est autre que l'inventeur du programme WARP. Une hallucinante course-poursuite dans le temps s’engage, Riley et Chevie Savano tentant d’échapper au plus redoutable des meurtriers, Albert Garrick, mais aussi de l’empêcher de retourner dans son époque, investi d’un pouvoir qui pourrait à jamais changer le monde.